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THE MISSING GAZE. ILKA AND ÉVA RÉVAI'S REDISCOVERED OEUVRES

2025

ANNA FABRICIUS: ITT A MUNKA, HOL AZ OTTHON? / HOME IS WHERE WORK IS

2024

BÉLA UITZ AND THE RUSSIAN ICON / AVANT-GARDE

2024

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A WONDERFUL STORY? AN AVANT-GARDE ARTIST COUPLE: ERZSI ÚJVÁRI AND SÁNDOR BARTA

2023

PURELY PHOTOGRAPHIC: IVÁN HEVESY AND THE BEGINNINGS OF MODERN HUNGARIAN PHOTOGRAPHY

2023

IGOR ÉS IVAN BUHAROV: „MINKET ANARCHISTÁKAT NEM NYUGTALANÍTANAK MORÁLGILISZTÁK”

2023

IGOR AND IVAN BUHAROV: WE ANARCHISTS DO NOT FRET OVER MORAL MAGGOTS

2023

TONES – NEW MUSIC IN THE HISTORICAL AVANT-GARDE

2022

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ON THE ROAD 1909: KASSÁK, SZITTYA, LONG POEMS, SHORT REVOLUTIONS

2022

POETRY AND PERFORMANCE – THE EASTERN EUROPEAN PERSPECTIVE

2021

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PERSÖNLICHE DISTANZ: DIE FOTOGRAFIEN VON EVA BESNYŐ

2021

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LOCAL CONTEXTS / INTERNATIONAL NETWORKS: AVANT-GARDE JOURNALS IN EAST-CENTRAL EUROPE

2018

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EVERYTHING IS OURS!

2018

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SONDERWEGE. KARL-HEINZ ADLER UND DIE UNGARISCHE ABSTRAKTION

2017

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ART IN ACTION: LAJOS KASSÁK'S AVANT-GARDE JOURNALS FROM A TETT TO DOKUMENTUM (1915–1927)

2017